Fujifilm 27mm Review | David Cleland

I have been using the Fujifilm 27mm pancake lens for almost a year and I am yet to actually give the lens the attention or acknowledgement it deserves. The Fujifilm 27mm lens has in a sense, become my much loved ‘off duty’ lens, tending to be my go-to lens for general days out exploring. As one of Fujifilm’s least expensive lenses the 27mm is deserving of attention especially by those photographers who really want to travel light. During this year’s annual holiday I used just the X-T1 and 27mm to document days out to the beach, amusements, walks and outings, with the 27mm making the X-T1 feel more like the X100s in form factor but with the option of additional lenses. That said the Fujifilm X100s will always remain an exceptionally special camera in my mind. ….

See on flixelpix.com

Fuji TCL-X100 review Part 1 | Thomas Alan

For the record, the studio is possibly one of the worst environments to test and judge the TCL-X100, but it’s where I needed to use it, so take the following with a grain of salt if you have no intentions of using yours in this environment. I’m not a pixel peeper, and you won’t see any charts, graphs, or fancy, mathematical, technical terms here. I judge gear by how easy or difficult it is to work with in the field, and the image results I get. I’m a touchy, feely kind of shooter who loves a piece of gear or an image if it feels right. First, a little backstory on why I purchased the TCL. I’ve been using the x100 now for three years. Initially I purchased the x100 for shooting street. Almost immediately the small camera that could became my favorite camera ever. I love the fast, bright f2.0 35mm equivalent lens, and have never really had issues with it being fixed. In fact, not being able to change lenses has been more of a blessing than a curse. I also own a X-Pro1 that I use for street and studio work. Recently, while working on a long-term portrait project, my 60mm lens on my X-Pro1 started having focusing issues and I was forced to send it in for repair…..

See on thomasalanphoto.com

Fujifilm Fujinon XF 56mm F1.2 R Lens Review | Patrick Leong

A fast short-tele portrait lens is a “must-have” for many photographers, especially for those in the wedding and portrait industry yet for a long time, it was missing in the Fuji X Series lineup.  There are third party versions, and there’s also the sharp, compact XF 60mm F2.4 but nothing made by Fuji, below the F2.0 range.  As of spring 2014, that changed with the release of the XF 56mm F1.2 R lens, an optic that many have been patiently waiting for.  With the crop factor taken into account, the 56mm F1.2 is approximately an 84mm equivalent, which is a preferred focal length for many portrait and wedding photographers.  Its fast aperture is also prized in this type of lens both for available light photography and for creating beautiful shallow depth of field or as some refer to as “bokeh”.  So far, the details sound promising but does the XF 56mm F1.2 really cut it?  Is it worth its asking price of $999.00?  Was it worth the wait?  Let’s find out……

See on findingrange.com

Zeiss 50mm touit for Fuji X usage report | Serious Compacts Forum

After posting some initial impressions the time has come for a second report. I’ve taken about 120 shots with the Zeiss 50mm Touit for some time with the Fuji X-T1 and the lens growing on me. In assessing a lens, I am not really into MTF-charts and detailed comparisons (although I read them). Others are better in doing that. My basic criterium is “do I like the lens”. To be a bit more specific: is it sharp enough? is it responsive enough? Is it comfortable to hold and use? Does it help convey what I’m trying to capture? Does the lens help me avoid (a lot of) PP? Think about color “accuracy”, vignetting, CA, etc……..

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Capturing Croyde and Lundy Island with the XF10-24mm & X-E2 combo | Dale Young

As you may or may not know the XF35mm is my ‘everyday’ lens but when it comes to landscape photography the XF10-24mm is my next ‘must-have’ lens. I used to use the XF14mm lens – which by the way is superb, but I’ve realised that I just cannot get enough of that ultra-wide 10mm setting. I have only been delving into the landscape photography world of late and am still very much finding my feet. When looking back through my landscapes I have noticed that I clearly love the slightly stranger viewpoints, mainly from a wide-angle, ground-up perspective. It may be that the world is just more interesting down there!? …..

See on fujifilmblog.wordpress.com

Kreativität und Innovation im Fußball: Warum Jogis Jungs Weltmeister wurden

See on Scoop.it - Kreativitätsdenken

Alle vier Jahre erweist sich die Fußballweltmeisterschaft als ein Schaulaufen der Weltstars. Spieler wie Beckenbauer, Maradona oder Zidane waren die prägenden und für die jeweilige Weltmeistermannschaft unersetzlichen Spieler, die Genies und unumstrittenen Herrscher auf dem Platz – die Hochbegabten vergangener Jahre. Auch die WM 2014 hat solche hochbegabten Ausnahmekönner gesehen (Neymar und Lionel Messi), die sich durch ihre virtuose Ballbehandlung auszeichnen. Interessanterweise fehlt jedoch in der deutschen Weltmeistermannschaft ein solcher Virtuose…….

See on scilogs.de

Fuji X Pro 1 | Steve Coleman

So what camera should I use for street photography? Well… thats like asking what car should I use to go shopping in! The easy answer of course is any camera, though there is no doubt in mind that different cameras give different experiences, which in turn can be the difference between enjoying the experience or feeling like your trying to take pictures wearing boxing gloves. At this point I should say I’m attaching some pictures with this post, not to demonstrate anything I’m about to say, you can see the technical quality of my pictures as they’re all taken with the Pro 1, this post is about the camera as more than positive EV or how fast it can auto focus. This post has nothing to do with the cameras technicalities. It has taken me 3 attempts to find what I consider to be the perfect camera for my needs, though I am still searching and looking for different ways to indulge in street photography. So where an I at the moment? Well I’m currently shacked up with the Fuji X Pro1. In my humble opinion the closest thing you’ll get to the classic rangefinder style that seems so engrained and used by photographers worldwide when shooting street style……..

See on streetframe.co.uk

Long lens love affair - Fuji X-T1 and the 55-200 | Andy Gallacher

It was those numbers that initially put me off buying the Fuji XF 55-200 lens. I’d worked a lot with the Canon 70-200 MkII previously and with a constant f/2.8 aperture surely this lighter and much cheaper Fuji couldn’t compare? The purchase was made back when I still had the X-Pro1 and a trip to the Galapagos Islands in Ecuador was booked. In the end it was the 55-200 that made it a memorable visit. The lens, which felt a little awkward on the X-Pro1, stayed on the camera for almost the entire time and constantly surprised me with its razor sharp images and creamy bokeh. But it’s when I paired the lens with the X-T1 that it really began to shine. I’d already been impressed with the image stabilization on the 55-200 but combine that with the new Fuji’s constant focus and 8fps and it makes for a compelling combination…..

See on andygallacher.com

Fujinon XF27mm pancake lens! | OnCam Photography

This lens is a really nice option if you just want to take your camera literally everywhere & not feel too serious, stand out, be obtrusive, & intimidating.. but don’t think for one minute this lens is a toy! After downsizing from a full DSLR kit carrying the XE2 + 18-55mm around you quickly get used to the size, and while it is a huge improvement you still feel the setup is not as small as you had imagined before switching to mirrorless. This tiny pancake lens transforms the whole shooting experience, & gives you confidence to take your camera everywhere……

See on oncamphoto.wordpress.com

Standing on Higher Ground | Little Big Traveling Camera

On Saturday we went sightseeing. First station was the Charminar. A monument and a mosque, the landmark building of Hyderabad conveniently located in the middle of a crossroad. Our driver offered to play the guide. We gladly accepted. We still stood out of the crowd like pink elephants but I saw some other tourist too. A couple of young Americans. But all the other visitors were Indians. Their admission fee is 5 INR instead of the 100 INR for foreigners. There is no need to protest though 100 INR is 1,20 EUROs or USD 1,66. After I climbed some narrow stairs I enjoyed the view from above but what really caught my eyes was the beautiful color and shape of the building. I thought that it could be the perfect background for some street shots. I tried to avoid attention but of course that’s hopeless. I’m white, I’m tall and I’m one of the very view with a camera. It seems today everybody is taking photos with either a smartphone or an iPad. At least in this part of the world……

See on littlebigtravelingcamera.com